In his shop in the middle of the Old City market in Jerusalem, Hagop Antreassian sits among an array of colorful ceramic pottery and tiles, a craft that has been practiced by Armenians for 100 years in Jerusalem.
Antreassian, 73, is Armenian-Palestinian and lives in the Armenian Quarter in the Old City of Jerusalem. For 40 years, he has taken great pride in the craft he learned from his elders while still a child, although he fears that the ceramics and tile making, the mark of the Armenian presence in Jerusalem, may now be disappearing.
“When I was a child, I would sit next to my grandfather as he made ceramic plates. I loved it so much,” Antreassian told Al-Monitor in a phone call from his Jerusalem residence. “After his death, nobody in the family cared about this craft. Growing up, I decided to become a potter to prevent the extinction of my ancestors’ traditional craft,” he added.
Antreassian is determined to revive the art form, though the residents of Jerusalem and larger Palestinian cities such as Al-Bireh and Bethlehem do not seem very interested in ceramics. Fortunately, the tourists who come to the Old Market and the Armenian Quarter flock to the tile shops that are part of the historical heritage in this part of town, which includes a closed Armenian monastery and several ancient churches.
Armenian ceramics are some of Palestine's many famous ancient handicrafts such as mosaics, pottery, embroidery, soap and glass, all the mixed heritage of the civilizations that came to Palestine throughout the ages such as the Romans, Canaanites, Byzantines and Phoenicians.
“Foreign tourists from various countries such as France, America, Germany and others come to my small shop to buy Armenian ceramics, which they see as part of the heritage of ancient civilizations in Palestine. But the Arabs and residents of Jerusalem have no interest in buying ceramics,” he said.
He explained that the work is laborious, saying, “Several stages are involved in the making of Armenian ceramics. I start by drawing patterns on the piece, then I use coal for engraving or marking the ceramics. I move to the coloring stage. The completed ceramic piece is then displayed for everyone to see its beauty and glittering brilliance.”
Antreassian said making Armenian ceramics gives him a sense of comfort and peace. He draws scenes that tell the story of Palestinian life under the British mandate, scenes from his Armenian homeland and the various religious symbols of Jerusalem. He also draws nature, wildlife and flowers.
Other materials such as glass, crystal and porcelain make their way into the traditional Armenian reds, blues and greens of his art. Many of his designs, though original, resemble the circular and rectangular patterns made by his grandfather. He bakes his ceramics in a traditional oven.
Antreassian is fluent in Arabic and Armenian and has learned some English, French, German, Spanish, Italian and Irish to speak with his foreign customers. His shop is often filled with tourists. “I make various forms of ceramic and porcelain pieces at different prices. The smallest pieces are sold for $20, while large prices start at $200 up to $1,000,” he said.
He pointed out that tourists are willing to pay any price to own Armenian ceramics. “In foreign countries, they use Armenian ceramics in various sculptures and decorative pieces, but mostly these are not very appealing. They are machine-made ceramics, not handcrafted. When visiting Jerusalem, foreigners rush to buy handmade Armenian ceramics reminiscent of old times.”
"Al-Monitor" (www.al-monitor.com/pulse/originals/2017/11/armenian-ceramicsmaker-struggles-to-keep-trade-alive.html#ixzz4ycVgDsBB), November 15, 2017